Perhaps that’s why one of my
favourite perennials is hostas. The leaves have such a wonderful quilted
appearance; they might have been cut out and stitched in the garden studio of a
horticultural goddess. Shades of blue-green, green with white couched stripes,
green with gold-edged binding.
One of the houses I lived in as a
child was row house in Liverpool ,
England . It had
literally what North Americans call a ‘yard’, just a few square feet of paving
stones, nothing green or growing. That’s why I am so sad to hear grass, plants,
flowers, bushes and trees, all clumped together and described as a yard. So
bleak, so colourless, so uninhabited, so un–flourishing.
I first saw hostas as a grown-up.
On an assignment on Kent in
the south of England , I made
my visit into a long weekend and included Sissinghurst Castle .
This had been the home of Vita Sackville-West and her husband, the diplomat
Harold Nicholson. In the 1930’s they created amazing gardens there. One of
Vita’s then-pioneering ideas was the creation of a number of gardens each
defined by a single colour.
Wherever I’ve lived since I’ve
always planted hostas, and marvel each spring as they spread their quilted
patches.
Among my favourite flowers are
peonies. Their petals are like the hand-made paper and fabric I tear for my
collages.
Sparingly cut for the house just
one or two make a superb arrangement, the delicate perfume enhancing their
wrinkled edges. Even the dark spear-like leaves make a singular arrangement.
Appropriately I’ll let Vita have
the last word on flowers.
“A flowerless room is a soulless room, to my way of thinking; but even one solitary little vase of a living flower may redeem it.”
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